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  Parents:
 MHO/SHEEN Therapy
TABLOIDER
Medical Section
Charts & Tables

 

Bioelectric Health POETRY  

 

 

Children of TABLOIDER:

"ReSolution Now!"
Conjugation of DREGS
Tetraheteromodocracy
DRIP of the DROP
Electrocentric Theory
"Rotation Now!"
Lamda Chi Tao
Herb & Rock OUT
The Money "Tetram"
Grades of Games
Criminality Spectrum
Phil's Tips Posts
Bioelectric Poetry
TABLOIDER Art 

"Jingle"  

(TOC)

Chelated Multi Minerals—
Philosopher's Stone1—
 MHO them with D2,
Grow strong teeth and bones.


"Juice" 

(TOC)

Hear the sizzle, leave the steak.
Sip the juice; it’s no mistake,
Solid, air, electric cake,
Juice, the stuff that makes life great!

Energy drives out the border.
Grav-ty’s pit does what it aught to.
Static charge, just like the water’s,
 Depend-able as a soldier.

Flux, the force that does surround,
Pulling radiation down,
To the speed that we perceive,
With device and sense achieve,

What we know to be awareness,
Of what other’s, they share with us.
Electric loop pulls it together,
Affixing flux to static matters,

Centralizing here and now,
We get to see and touch somehow.
Our bodies made with juice’s pull,
Conducting action that they will,

Keep in touch both me and you,
With other’s that are now here too.
I hope that you have agreed,
About juice-actly what we need.


"Electric Sleep Charging Song" 

(TOC)

Why not do it?
I Hope you do.

Come and try it.
What's to loose?

Where you going,
The way you are?

In a few more years,
You’ll need a car.

Fix the driver,
You'll get far.

Ride up high,
Like a ski,

Across the sky,
Sound’s neat to me!


"The Profiteers Pledge" 

(TOC)

I pledge allegiance to the land,
That gives the most bang for my buck,
And the strength of the currency in my hand,
Least by arbitrage I've better luck.
And to the F-D-I-C,
Cause it hides me,
But one banking system under God?
Surely there you jest.
Cause God may be good,
But what rules the world,
Is Money,
Cause Money's the best!

 

"Love Hate Money Root Fruit" 

(TOC)

If the love of money,
Is Evil's root,
Then the hate of it,
Is Evil's fruit.

 

"The Alphanumerabet3 Song" using "Color=Pitch & Space=Time" Correlation Notation5  (TOC)

Aee

 

bee

  

cee

 

 

dee,

  

Eee

  

eff

  

cgee,

      

Aach

  

iii

  

jay

  

kay,

  

Ell

em

en

oh

pea,

      

Qu

  

are

  

ess

  

tea,

  

You

  

vee

  

dah,

      

Bull

  

you

  

ex

  

why,

  

Zee-

  

row

  

one,

      

Two

  

three

  

four

  

five,

  

Six

 

seh

 

vin,

      

Eight

  

nine

 

ten,

  

 be-
RE-

  

Gin
PEAT

  

a-

  

gain.

      

 

...or the "Alphanumerabet3 Song" could be sung to the base line in the song "Peter Gun." (Notes depicted in "Color=Pitch" Musical Notation5)

Aae bee cee dee,

Eee eph cgee aach,

I jae kay el,

Emm enn oh pea,

Qu are ess tea,

You Vee dah- bull-

You Exx why zee,

Row one two three,

Four five six seh-

Vin eight nine ten.

If you want to,

Sing this a-gain.

 

...or The Alphanumerabet3 Song could also be sung to the "Row, Row Row Your Boat" melody.

A B C D E,

F G H I J,

K L M N O,

P Q R S T,

U V Du Bull U,

X Y Z Row 1,

2 3 4 5 6,

Se Vin 8 9 10.

ending the song or continuing the song by replacing the 10 with an A and continuing around the next verse with the next letter as in the following order, thus yielding a 39 verse spectrum of line formats culminating at the original A B C... configuration at its 40'th verse, suggested as a replacement for the "100 Bottles of Beer" road song.
 
Alternate first verse ultimate line:

Se Vin 8 9 A.

in which case the song would not end at the end of the first verse, but rather proceed in this fashion:

B C D E F,

G H I J K,

L M N O P,

Q R S T U,

V Du Bull U X,

Y Z Row 1 2,

3 4 5 6 Se,

Vin 8 9 A B.


C D E F G,

H I J K L,

M N O P Q,

R S T U V,

Du Bull U X Y,

Z Row 1 2 3,

4 5 6 Se Vin,

8 9 A B C. 
 

D E F G H,

I J K L M,

N O P Q R,

S T U  V Du,

Bull U X Y Z,

Row 1 2 3 4,

5 6 Se Vin 8,

9 A B C D,

The 5'th Verse beginning and ending with E.

The 6'th Verse beginning and ending with F.

The 7'th Verse beginning and ending with G.

The 8'th Verse beginning and ending with H.

The 9'th Verse beginning and ending with I.

The 10'th Verse beginning and ending with J.

The 11'th Verse beginning and ending with K.

The 12'th Verse beginning and ending with L.

The 13'th Verse beginning and ending with M.

The 14'th Verse beginning and ending with N.

The 15'th Verse beginning and ending with O.

The 16'th Verse beginning and ending with P.

The 17'th Verse beginning and ending with Q.

The 18'th Verse beginning and ending with R.

The 19'th Verse beginning and ending with S.

The 20'th Verse beginning and ending with T.

The 21'th Verse beginning and ending with U.

The 22'st Verse beginning and ending with V.

The 23'nd Verse beginning and ending with Du.

The 24'rd Verse beginning and ending with Bull.

The 25'th Verse beginning and ending with You.

The 26'th Verse beginning and ending with X.

The 27'th Verse beginning and ending with Y.

The 28'th Verse beginning and ending with Z.

The 29'th Verse beginning and ending with Row.

The 30'th Verse beginning and ending with 1.

The 31'th Verse beginning and ending with 2.

The 32'st Verse beginning and ending with 3.

The 33'nd Verse beginning and ending with 4.

The 34'rd Verse beginning and ending with 5.

The 35'th Verse beginning and ending with 6.

The 36'th Verse beginning and ending with Se.

The 37'th Verse beginning and ending with Vin.

The 38'th Verse beginning and ending with 8.

The 39'th Verse beginning and ending with 9.

The 40'th Verse beginning and ending with A again, just like the first verse, thus ending the song. 

The extended version suggested as an augmentative to the road trip repertoire and a strategic alternative to the, IMO, spent, burnt, sped, cooked 100 bottles of Carbonated Yeast Urine (Beer) On the Wall anthem to oblivion—an invitation to the innocent to experience an insipid, mundane, subordinated existence until death does allegedly relieve them, as professed by the hoodwinkers, charlatans and highly established mental activity manipulators, because attempting to sing the RRRYB EP ANBS, as versed above would help educate the occupants. This would help keep the stick pulled back on their lives enough to maybe keep them out of the flaming wreckage long enough to get to appreciate what a real life could be like and remain mentally active enough to gain a better shot at making a much better show of it than had they succumbed to signing up as extras in the continuing series of the reenactment of that Carbonated Yeast Urine Consumptional Classic, at the short play of which to have their deanimated corpses tossed into caskets like those empties in recycler boxes. A Be-er is a thinker according to Rene' Descartes, but Be-ers can think, thus remain so, only if they can keep from getting drunk. If they're drunk, they're just empties. With recycling, though, they're still at least each worth a nickel. lol

 

"The Duz in the UZ" Chorus 
 

Definitions
  • Buz: Static; The attractive force between Electron and Proton. (electric charge)
     
  • Duz: (Does) The Interaction of the Kuz, Fuz, Buz and Wuz.
     
  • Fuz: Hypothetical lines of force that link Photons to Electrons; The Duz' spatial component. (Flux; Magnetism)
     
  • Kuz: (Cause) Radiation; The component of cause—the phenomenon of the initiation of inhabitation of the uz [sic]. (Photonic phenomena)
     
  • UZ: The space/time medium; Read "A volume that contains a duration" as opposed to "ZU," which is read "A duration that contains a volume," which is a composite of all of the forms of biological life inhabiting the UZ.

    Where:
     
    • Space     =     U     =     Volume
    • Time      =     Z      =     Duration
  • Wuz: (Was) Gravity; Kuz' opponent. (Gravitonic phenomena)

Chorus

...Now some Buz/Fuz Duz,

Kuz some Fuz/Buz Kuz,

And some Buz/Fuz Wuz,

Kuz some Fuz/Buz Duz...

 

The Tip of the DRIP

What a slippery DRIP we attempt to scale,

When first we plot to make people fail.
 

  1. Philosopher's Stone: Universal Cure-all (TOC)
     

  2. To make the minerals work directly on your teeth, you need to combine them with vitamin D, because vitamin D co-acts with Calcium, rendering it workable at the point of their combination and contact with the teeth involved. No lie, holding multi minerals in your mouth with vitamin D, in combination with adequate oral hygiene, will fill in your teeth's cavities, make them very durable and larger also.
     

  3. alf'-a-new'-mar-e-bet: A combination of the words alphabet and numeral representing the connection of English letters and Arabic numerals, attached at zero—Zee-Row4.
     

  4. The symbiological representation of the unification of the last letter in the English alphabet and the Arabic numeral representing Descartes' "Origin" as one single, complete entity, which could be viewed as representing the primary bond between letters and numerals; Could be viewed as the junction between Physical and Ephemeral phenomena, Corporeal and Incorporeal phenomena and the concepts of Quality and Quantity; The location at which all phenomena coincidental to Descartes' "Origin" meet.
     

    "Color=Pitch & Space=Time" Musical Notation Correlation Table
    • Notes' tones are represented via their color and 
    • Notes' durations are represented by the quantity of spaces that each sounding takes up, each space representing a displaced, though equivalent period of time throughout the body of the song.  (TOC)
    The Number of Frets Up the Fret Board from Any Note that is Used as that so Fretted Note's Primary (Key) Note. 
    Names of  the Interval Sounds Between any Particularly Designated Note and the Base Key Note.
     The notes as they would land on the section of the electromagnetic spectrum that contains properties that are visible to humans.  (The subscripts represent how many rows* up from the most bass octave each particular note resides.) This arrangement is meant to be a literal representation that, devoid of mistakes, should be as true a representation as semantics allow.
    Twelve
    Octave
    E45 — F45
    Eleven
    Major Seventh
    (D# / Eb)45 — E45
    Ten
    Minor Seventh
      D45 — (D# / Eb)45
    Nine
    Major Sixth / Diminished Seventh
    (C# / Db)45 — D45
    Eight
    Augmented Fifth / Minor Sixth
    C45 — (C# / Db)45
    Seven
    Perfect Fifth
    B44 — C45
    Six
    Augmented Fourth / Diminished Fifth
    (A# / Bb)44 — B44
    Five
    Perfect Fourth
    A44 — (A# / Bb)44
    Four
    Major Third
    (G# / Ab)44 — A44
    Three
    Minor Third
    G44 — (G# / Ab)44
    Two
    Major Second
    (F# / Gb)44 — G44
    One
    Minor Second
    F44 — (F# / Gb)44 
    Zero
    Unison
    E44 — F44
    *Row: Musically—any string of 13 adjacent notes. They span one musical octave‡. i.e. The row of the octave‡ of visible light spans from the color range: E44 — F44 (362.4 terahertz — 384.0 terahertz), which is located in the 44'th octave above the most bass range of its so related audible tones, E0 — F0 (20.60 hertz — 21.83 hertz), in the electromagnetic spectrum, to the color range: E45 — F45 (724.9 terahertz — 768.0 terahertz), which is located forty-five octaves‡ above that same range of tones, E0 — F0.
    ‡ A tone whose frequency has the property of being an integral (whole number) multiple of the square, of any more bass tones' frequencies that it is so related to. i.e. The forth octave above the note "A0," the most bass A note, whose tone's frequency is 27.50 cps is "A4," whose tone's frequency is 440 cps, because 27.50 cps x 2 x 2 x 2 x 2, or 27.50 cps x 24, or 27.50 cps x 16 = 440 cps. The note's pitch (tone) that is officially tuned to in contemporary Music has a frequency (regularly repeating occurrence) of 440 cps and is called the A4 note.  (TOC)

Haikuronym of "ACRONYM"
(acronomy license)

A co-mmuniqué,

Rigorous-ly organized,

Naming, yet meaning.

Last Edited on & at: 2008-07-19 11:44 EUST
2004-2007®Philip B. Obsharsky. All rights reserved. This material may be copied, or transmitted as long as any source information that is included with it, it meaning any part of the composition of this material that is transmitted or copied for any reason, is retained with it and this copyright statement is retained as a part of it and no financial compensation is sought or derived for such action.